2020 Notes From Artist Dennis Eavenson And Sharon Eavenson On The Dots Collection

These artworks contain the unifying elements of dots, repetition and pattern for exploring both the distinguishing and the
disguising aspects of patterned expressions. Each work contains this clear juxtaposition of purpose. Pattern draws you
into these artworks filled with primal rhythmic dots. They entice the viewer to enter a realm where things are hidden and
demand viewing time for personal discovery.

Referencing patterns found in human usage and nature, I respond to the unique optical aspects of color and shape. Birds
and fish use pattern to identify themselves and attract mates. A zebra's striped coat simulates the shadows of tall grass and
creates confusion for the lioness sizing up her prey. Camouflage clothing provides an advantage in hunting activities and
military combat for humans. Today's patterned textile designs attract buyers and draw attention to individuals and objects.
Human social or political groups today use pattern in banners and clothing to help identify members and give visual cues
for their unique platform. Polka dots appeal to consumers looking for dynamic eye appealing home goods, while graphic
designers use pattern in packaging to boost sales with visual impact.

Pattern and repetition have clearly found a footing for ensuring survival of individuals, groups and products. My artistic works
consider and continue the primal pattern traditions established by early humans with tattoo art and repeating dot cave art.
These compositions are designed to attract an art audience and retain their attention, similar to the way a birds plumage
attracts potential mates. Once the viewer is engaged, they can enter my inner reality where modern sensibilities concerning
today's urban jungle are disclosed. In this realm pattern and color present optical and symbolic aspects for consideration.